91年出生金牛座2007年的运势

2007年金牛座运势

整体运势：

2007年金牛座的乐观会帮助你摆脱任何常规的束缚。把精力集中在如何实现自己理想的生活上，有获得培训和旅游的机会，一定很兴奋。热衷于探索事情哲学的一面。最重要的是先把自己的家很舒适，让家庭更和谐。有很多学习的机会，和亲人相处也很融洽。努力工作，和同事组成战略联盟，你会发现更多的人支持你的工作。

实际的社交能力帮了你很大忙，会认识很多新朋友。你的梦想也会让别人追随并找到他们自己的生活方向。改变一下以往的方式会发现自己真正需要什么。人们认为在你所从事的职业中你很有能力，同时你的责任心也给公司带来了积极理想的变化。对有风险的事情一定要三思而后行。

有能力处理好必须的社会活动，能很好地解决问题。你的努力工作也带来大量金钱的回报，也会有所积蓄。你会有个人改变的强烈愿望并且希望与他人更好地相处。宽宏大量的胸怀会让你跟每个朋友都友好和谐地相处。今年会感到充实与爱。尽情享受吧。

工作运势：

如果从事的是服务行业的话，比如说医疗健康方面，今年将是一个理想年。在目标和团队方面会经历一些变化，你面临的挑战就是在团队工作时能随时帮助别人。认真对待每一件事情，做一个出色的职员，你也会清晰地意识到什么对你才重要。

一旦决定做某事就会坚持去做。对于自己的人生目标和理想有很强的意识，并能为之拼搏，奋斗，而最终达到目标。喜爱生活中的多样性，今年多姿多彩的生活将成为生命的美好记忆。

坚持不懈地去感知周围世界的每一个细节，用智慧去解决每一件事情。喜欢与人交谈，2007年也会发生很多有趣的谈话。保持和周围人们的良好关系和努力工作都是很重要的事情。对别人的热情帮助必能换来赞誉。以人道主义精神去帮助创建一个更美好的环境。今年在音乐方面也有较大的收获。工作给予的精神满足激发着生活乐趣，使得每一天都很美好。

爱情运势：

2007年身体健康是第一位的。去健身房享受一些运动或者按摩等活动是个不错的主意。保持良好的身材和健康的身体很重要。对伴侣有发自内心的强烈愿望。魅力四射，消遥自在吸引了很多人的注意。别人对你的肯定让你感到舒适和安全。

年末的时候，你会真实地感觉到你选择伴侣的正确，并开始考虑与其进一步发展。开始喜爱和对方的互相了解并保持长久的关系。意识到感觉良好对发展一段持续关系的重要性。你需要打破陈旧规矩的限制。在表达方式上会有戏剧性的变化，试着去和别人分享你的心情，你的爱吧。你和你的爱人都会感觉到你2007年的美好生活。

金牛座的生日语和花语

金牛座掌管晚春的花朵，以「金星」之名特别与色彩缤纷灿烂的花朵有缘，花姿丰盛密集的类型能够赢得芳心，最好还带着扑鼻花香，这与金牛座发达的嗅觉有关。金牛不但爱花，还是园艺的绿手指，与大地缘分高。

April 30

生日花：西洋樱草（Cowslip）

花 语：成 熟（Ripen）

西洋撄草是广泛生长在欧洲大陆的多年生植物，吊钟形的**花朵非常芳香。英国的乡间就有人把它摘下，等成熟后酿制成香醇的葡萄酒。因此，西洋樱草的花语是－成熟。

凡是受到这种花祝福而诞生的人孜孜不倦，非常好学，以明天的成就当作今天生存奋斗的目标。相信在不断的努力之后，不久的将来，一定可以结出成功的果实。

十二星座之金牛座的情侣档

金牛座的人重视安全和舒适。最佳的对象就是对家庭和工作都有责任感、坚韧不拔的摩羯座；有正确周密的生活计划并努力于建设和平家庭的处女座；和你兴趣和嗜好相投同属于金牛座的，都是适合的对象。而像爱慕虚荣的狮子座，深沉和顽固的处女，及叛逆怪异的水瓶都是不适合的对象。

金牛－白羊：金牛座的你占有欲极强，这很容易伤害到崇尚自由的白羊座爱侣。

金牛－金牛：这对情侣档在生活的某些方面有些无聊。金牛座的你有急增脂肪的趋势，可以想像2个电视迷坐在电视前狠吃猛喝是多么的可怕吧。

金牛－双子：挥霍无度、缺乏安全感的双子座让你很不放心；你对多才多艺的他/她也并不感冒。这真的不是一个好的组合。

金牛－巨蟹：你们是好的伙伴关系。你俩在一起可以相互促进，共同提高。你能给蟹子需要的安全感，同样地，你也能从巨蟹座那里得到渴望的激情和忠诚。

金牛－狮子：你们不但不太可能在一起，而且即便在一起也是建立在欺骗的基础上的。如果你经济实力雄厚，当然能吸引狮子。然而，这个家伙却是个花心大萝卜。

金牛－处女：除了在卧室里会经常发生矛盾外，在其它的任何地方，你俩都能相处地很好。金牛座的你是个脚踏实地且工作努力的人。

金牛－天秤：如果你想让彼此的关系持久，必须学会让步。在深沉老练的天秤座面前，你还嫩了点，还远远达不到他/她理想的标准。

金牛－天蝎：彼此都有着巨大的吸引力，但双方都是固定星座，这也势必会产生矛盾。牛儿的固执加上蝎子的嫉妒心让这段恋情无果而终。

金牛－射手：这对组合最好还是做朋友比较好。射手座的人喜欢冒险，热爱自由；而你从不打没把握的仗，一切事情都依计划实施。你是很难忍受射手座的缺乏负责感的。

金牛－摩羯：这对搭档看上去不错，你俩志同道合，无论在经济、财产还是安全感上的看法都非常一致。但“全是工作没有娱乐”却是存在于双方间的最大的隐患。

金牛－水瓶：都是固定星座的你俩有着完全不同的生活理念。水瓶座的一方太过孤僻，而你占有性过强，真有点水火不容的驾势。

金牛－双鱼：这一组合还凑合。然而，成日沉溺于幻想中的鱼儿不免让你有些招驾不住；另一方面，如果你太专制，鱼儿肯定就游走了哦。

金牛座最适合的职业Top 10

园丁、园林设计师、化妆品设计师、模特、葡萄酒厂经营者、保安、检查员、糕点师、公园护林员、信贷员

金牛光明、阴暗性格面面观

光明面：

有耐心、坚定、可靠、坚忍、热情、感官、欣赏美的事物、善于处理细节和保持环境的舒适

阴暗面：

保守、另人乏味、强硬、倔强、脾气火暴、嫉妒、守旧

星座香水：牛儿常被自由清新的香水吸引。水果味或是带着植物芬芳的香水最能展示你的个性魅力。Chanel No5 就是不错的选择。

金牛座饮食习惯大盘点：我们最有可能在奢华的五星饭店里找到正享受美味多汁的膳食的牛儿了。当然，饭后甜点对于你也是必不可少的。谁叫你就好这口呢？

金牛座如何筹备假期婚礼

牛儿更喜欢简单的、家庭式的婚礼。从母亲、祖母或是老祖母那里借来的礼服不但优雅还能带来好运气。倘若选择一个兼具复古气质和隐秘色彩的小客栈作为蜜月住所那就更美妙了。

金牛座的职业新主张

诚实可靠的牛儿喜欢从事稳定性强的工作。他们愿意用加班来换取丰厚的薪水、良好的福利和各种休假。有着得天独厚优美嗓音的牛儿也很适合当歌手、演讲家和前台。

美丽的星座传说之"金牛"篇

古希腊有许多关于“金牛座”的传说，流传最广的当属天神宙斯向公主求爱的故事：

有一天，天神宙斯在人间游荡，经过某个国家时，突然看见这个国家的公主非常美丽，让宙斯不知不觉中看得出了神，回到天上之后，仍然对这位美丽的公主念念不忘。 而在这个公主所属的国家中，有一座很大很漂亮的牧场，里面有多到数不清的牛群在吃草、嬉戏，公主时常会来到这个牧场与这群可爱的牛群一起玩耍。 就在一个风和日丽的早上，公主又依往例的出现在牧场，当她正在与牛群玩得不亦乐乎时，突然发现在牛群之中，有一只特别会唱歌的牛，它的歌声非常悦耳动听，有如天籁一般，吸引着公主不自觉的朝他走去。 公主一看到这只牛，马上无法自拔的就爱上了他。因为他不仅歌声完美，就连外表也一样好的没话说。正当公主慢慢靠在牛的身上与他一起忘情的唱歌时，这只牛突然背起了公主朝着天空飞去。 经过了很久的飞行，这只牛终於在一个美丽的土地上停了下来，然后摇身一变成为人，向公主表达其爱慕之意。原来这只牛就是天神宙斯的化身，因为无法抑制服对公主的日夜思念，决定来向公主表白。 美丽公主於是接受了宙斯的爱，两人一起回到天上生活。而宙斯为纪念那表白的地方，就以公主的名字欧罗芭做为那块土地的名字。那土地正是今天的欧州大陆。金牛座的神话故事，是十二个星座的唯一描绘爱情的故事，打破了一般人认为金牛座缺乏浪漫的错误印象。

As a phenomenon of a counterculture (or of several countercultures), the origin of ball culture is a story of both of necessity and defiance

New York City

As told by Pulitzer Prize winning author Michael Cunningham the ball culture of New York City is the product of:

the underground drag balls that had been going on in and around New York City since the thirties Those balls were merely drag fashion shows staged by white men two or three times a year in gay bars, with prizes given for the most outrageous costumes Black queens sometimes showed up but they were expected to whiten their faces and they rarely won a prize[11]

In the 1960s, black drag queens started holding their own events in Harlem where they took the concept to:

heights undreamed of by the little gangs of white men parading around in frocks in basement taverns In a burst of liberated zeal they rented big places like the Elks Lodge on 139th Street, and they turned up in dresses Madame Pompadour herself might have thought twice about Word spread around Harlem that a retinue of drag queens was putting together outfits bigger and grander than Rose Parade floats, and the balls began to attract spectators, first by the dozens and then by the hundreds, gay and straight alike People brought liquor with them, sandwiches, buckets of chicken As the audiences grew, the queens gave them more and more for their money Cleopatra on her barge, all in gold lamé, with a half dozen attendants waving white, glittering palm fronds Faux fashion models in feathered coats lined with mylar, so that when the coat was thrown open and a two-thousand-watt incandescent lamp suddenly lit, the people in the first few rows were blinded for minutes afterward[11]

Eventually the participants in these balls split into factions centered around influential and charismatic leaders:

In 1977 an imperious, elegant queen named Crystal LaBeija announced that a ball she’d helped put together was being given by the House of LaBeija, as in House of Chanel or House of Dior It was a pr gimmick, something to add a little more panache and, not incidentally, to increase the luster of Crystal LaBeija The concept caught on, and suddenly every ball was being given by a house Some queens named their house after themselves, like Avis Pendavis’ House of Pendavis or Dorian Corey’s House of Corey Others took the names of established designers like Chanel or St Laurent [] By the early eighties younger, less experienced drag queens were declaring themselves members of this house or that house, and competing in balls under the house name Some went to court and had their last names legally changed, to Pendavis or Corey or Chanel or St Laurent [] Houses came to be ruled by their biggest stars, who were known as mothers and who exhorted their members—their children—to accumulate as many prizes as possible for the greater glory of the house[11]

The Houses of Ninja and Xtravaganza remain at the forefront of the NYC ball scene and continue to hold regular, well-attended competitions [14]

Washington, DC

This account from the metropolitan Washington, DC area describes how ball culture and drag houses developed there around 1960:

Some regular house parties became institutionalized as drag ‘houses’ and ‘families’ The leader, or ‘mother’, often provided not only the opportunity for parties but also instruction and mentoring in the arts of make-up, selecting clothes, lip-synching, portraying a personality, walking, and related skills Those taught became ‘drag daughters’, who in turn mentored others, creating entire ‘drag families’ Drag houses became the first social support groups in the city’s gay and lesbian community House names often came from addresses of the house ‘mother’, such as Mother Billy Bonhill’s Belmont House at 15th and Belmont NW, or associations with the ‘mother’s’ chosen personality, as Mame Dennis’s Beekman Place[2]

At this early date the styles of dance which came to characterize drag houses had not been developed and competitions between drag houses involved more usual drag performance in which entertainers lip synced or, more rarely, sang

It contrast to the NYC houses shown in Paris is Burning, some of the Washington, DC house mothers were white Still, African-American drag queens were a prominent part of this community:

Venues for drag shows and competitions were a constant challenge in the 1960s The Uptown Lounge sponsored monthly drag contests, an event later duplicated at Johnnie’s on Capitol Hill Chunga’s drag shows at the Golden Key Club in North Beach, MD were a popular Sunday event The major hotels’ resistance to drag events was not broken until February 1968 when African-American drag impresario Black Pearl staged the gala Black Pearl International Awards at the Washington Hilton It was the drag event of the year[2]

Influence

While still very much an underground phenomenon - ball culture has had a wide influence on notable individuals and on mainstream culture including the following:

Dance

The most recognized influence that drag house culture has had on mainstream society was in the creation of "vogueing", a dance style originating in Harlem ballrooms in the first half of the 20th century and popularized worldwide by the video for Vogue, a song released by Madonna the same year as Paris Is Burning One source asserting that "Many people only know of underground ballroom culture from Blah-donna's 'Vogue' or the film 'Paris Is Burning'[9][13]

Language

Occasionally, certain ball culture terms discussed above are used in more general ways For example, "drag mother" may be applied to any drag queen in the role of mentor, and "drag house" sometimes refers to any group of drag performers allied together personally or professionally

Terms like "fierce" and "fierceness", "work it" and "working it", "fabulous" and "fabulousness" and so forth are all part of the argot heard in Paris Is Burning and were central to the lyrics of "Supermodel (You Better Work)", a hit released in 1992 by black drag queen Ru Paul These terms quickly entered gay slang, fashion industry jargon and the mainstream colloquial vernacular[15]

Music

Ball culture has long been a fertile ground for new forms of house music and electronic dance music which has then, through famous DJs like Junior Vasquez, Danny Tenaglia and their successors, been introduced to the world[13][16]

Fashion

Arguably, the fashions and manner of depicting masculinity in ball culture has influenced "the über-puffed-up peacock sexuality" of contemporary, mainstream hip hop" Regarding this interchange been gay black culture and the mainstream, a professor at New York University said "Today’s queer mania for ghetto fabulousness and bling masks its elemental but silent relationship to even more queer impulses toward fabulousness in the 1960s and 1970s[17][18]

Personality

Kevin Aviance, whose appearances include Flawless, The Tyra Banks Show and America's Next Top Model, is a member of the House of Aviance founded 1989 in Washington, DC[19][20]

Mainstream influence

In 2006, Beyoncé Knowles told a reporter from The Independent "how inspired she's been by the whole drag-house circuit in the States, an unsung part of black American culture where working-class gay men channel ultra-glamour in mocked-up catwalk shows 'I still have that in me," she says of the confidence and the fire you see on stage'"[21]

如果穿奢侈品上面有半个商标，说明你不知道真正应该怎么穿这些东西。真正的商务场合，身上出现半个商标，甚至包括手表，都是不礼貌的。所以有些人要费个牛劲找个独立表师弄块表意义就在这儿。(所以雷军罗永浩都是土鳖，公众演讲胸前ralph lauren hilfiger的标还以为自己牛逼。殊不知无logo的大多反而都比有logo的贵百分之三十）穿奢侈品，说实话不是为了展现自己有钱，而是为了他们坚固耐用的品质而已。至于平日，穿奢侈品露出商标，还是说明你把他们当成奢侈品。而奢侈品是什么？不过是做过精良的日用品罢了。至于怎么搭，那就是品味了。至于你说你有钱，你怎么不去找个形象顾问啊？