电子词典的屏幕是LCD还是LCM

记得long long ago用过的小计算器吗,那行小屏幕就是液晶显示器,还有,那种电子手表,它的屏也是液晶显示器啊别笑,现在笔记本的液晶屏还是从它这个技术发展来的呢液晶显示器就是LCD

那电子词典能是LCM吗

LCD [简明英汉词典]

n液晶显示器

abbrLiquid Crystal Display 液晶显示屏

lcd [[七国语言]英汉电子大词典]

液晶显示器

lcd [[七国语言]英汉机械大词典]

液晶显示器

lcd [[七国语言]英汉信息大词典]

液晶显示器

LCD [英汉计算机词汇]

= Least Common Denominator,最小公分母; = Light Coupled Device, 光耦合器件; = liquid crystal display, 液晶显示；液晶显示器; = List of Closed Descriptor, 闭式描述符表

lcd [英汉化学大词典]

n最小公分母

LCD [航空英语缩写词典]

Liquid Crystal Display 液晶显示

Liquid-Crystal Displays 液晶显示器

Liquid Crystal Display 液晶显示

Liquid Crystal Display 液晶显示

K Liquid Crystal Display 液晶显示

Liquid Crystal Display 液晶显示

LCM [简明英汉词典]

abbrLowest Common Multiple, [数]最小公倍数

LCM [英汉计算机词汇]

= Large Capacity Memory,大容量存储器; = Large Core Memory, 大容量磁心存储器; = Least Common Multiple, 最小公倍数; = Line Concentrator Module, 集线器模块; = Line Control Module, 线路控制模块; = Link Control Module, 链路控制模块

lcm [英汉化学大词典]

n最小公倍数

众多周知，防晒对于保护我们得皮肤是非常重要的，所以许多化妆品也都会加入一些帮助防晒的物质，例如BB霜、隔离霜甚至是粉饼都会推出有防晒功能的，而防晒粉饼就是很多人的最爱，那么防晒粉饼哪个牌子好？2017防晒粉饼排行榜具体是怎样的？

1、2017防晒粉饼排行

1albion奥尔滨夏日牛奶雪肤粉饼

专为春夏季所研制,无瑕清爽素肌且耐汗控油。运用最新研究专利雪纺薄膜技术将粉体编织出网妆结构，细微的缝隙可轻易发挥夏日中的汗水，具有优越的透气效果，保持清爽舒服的肌肤，持久拥有净白无瑕妆容。防脱妆皮脂吸收粉体，专门吸收多余造成脱妆的皮脂的成分，减缓夏季皮脂生成，并保持肌肤清爽，防止出油过剩而脱妆。超纯白粉体，打造出纯净无暗沉的肤色，特殊包裹科技使粉体长时间也不易暗沉。SPF25PA++守护肌肤的健康,避免紫外线伤害。重复叠擦依然清爽舒服，时时刻刻保持轻盈的夏季梦幻底妆。

2CEzaNNE倩丽无香料SPF48防晒保湿粉饼

含有保湿成分植物性角鲨烯，滋润皮肤，防止皮肤干燥。SPF48,PA+++的高防晒指数，能有效防止紫外线的伤害，守护肌肤。并能有效吸收多余的油脂及汗水，防止脱妆，价钱也是非常美丽的哦!

3canmake棉花糖粉饼

曾经获得cosme大赏的一位。这个棉花糖粉饼的最大亮点就是粉质细腻，能令皮肤变得柔滑，粉嫩，并且挺控油又不会让你皮肤觉得干。无酒精无香料，含天然的矿物粉末。值得一提的是专用的粉扑很特别，像棉花糖一样松软，用在脸上超级享受!SPF26/PA++的防晒系数，夏季补妆的时候顺便也把防晒也补上了，非常方便。

4索菲娜控油防晒粉饼

干爽轻盈，长效持久，呈现年轻妆效的粉饼。涂抹时延展性更佳、与肌肤的贴合性更强，不易脱妆型(提升妆效的粉体)。新添加“妆效提升粉体”，提高粉体延展性和贴合性，全面提升妆效与持妆时间。特含“亮颜粉体”配方，将光输送到肌肤内部，消除肌肤表面的色斑与凹凸阴影。抗汗、抗皮脂，并含有SPF25PA++，保持肌肤刚上妆时的色泽与质感，长效维持轻龄美妆印象。

5orbis奥蜜思极致抗阳防晒蜜粉饼

就像素_一样的轻盈，又能确实阻断紫外线!因_是蜜粉质地，所以有着轻盈的触感。

高防晒_数SPF50，PA++++强力隔离紫外线的同时，具有防水、耐汗、抗皮脂的持久定妆效果。能紧密贴合於肌肤，形成一层完美防晒及定妆，让肌肤呈现光泽并修饰肤质。

6ettusais艾杜纱雪纺柔肤粉饼

填平粗糙纹理，打造细致柔嫩、透亮红润的水润妆容。高保养含量，添加七大唤颜成分。“空气微细包覆制程”使粉体轻盈又保湿。具有良好的遮瑕_果，填平粗糙纹理。

7资生堂REVITALGRANAS干湿两用粉饼PF

连续三年获得COSME大赏的粉饼。“RevitalGranas”品牌主要面向美容意识较高的30岁以上女性，定位于资生堂高级化妆品的核心品牌。PF系列要清爽一些更适合夏天，控油和持妆效果好，PF系列的防晒值SPF20，PA++，就补妆来说，很牛的，超级好用，很服贴。

2、防晒粉饼评价

我们常见的防晒粉饼中都具有SPF22/PA++成分，可以阻断UVA和UVB两种紫外线的射入，同时也可以阻隔皮肤不会受到其它有害的紫外线的照射，达到保护皮肤的作用，并且粉饼都是3D粉末组成的，不但不会阻塞毛孔而且360度尽显完美妆容。

第二点防晒粉饼是由紫水晶、珍珠、红宝石和粉钻石等的粉末复合而成。这些复合粉末可以有效的改善皮肤存在的状况，能够明显的恢复皮肤以前的幼滑细嫩，并且可以使皮肤的质地变的越来越轻薄，长期使用皮肤可以变的像陶瓷一样细腻。

除了以上两个特点，防晒粉饼中还富含大量的植物性成分，我们大家都知道植物性成分可以给予肌肤滋润使皮肤变的有活性。粉饼中还具有珍贵的护肤精华成份，护肤精华具有活肤效果，能够让皮肤时时刻刻充满生机和弹性。

3、防晒粉饼用法

1沾在约半面海绵上的粉底量大致够半个面部使用。用海绵在粉饼表面轻按1～2次，蘸上粉，先在单侧脸颊自内向外轻拍着涂抹开来。另一侧以同样方式涂抹。

2用海绵从额头的中心部开始向着外侧涂抹开来。涂过额头后，将海绵顺势向下滑至鼻梁，上下滑动着涂抹整个鼻部。鼻翼两侧的细小部位也要仔细涂抹。

3不要忘记脸部轮廓线的涂抹，从耳前方朝着下巴方向轻轻地涂抹开来。要想塑造出美丽的侧影还需注意颈部与脸部的分界线，可对着镜子查看化妆效果，模糊界线。

4鼻子下方也要仔细涂抹开。眼部和唇部周围用海绵轻轻按压着上妆。眼周部位很容易被遗忘，要注意，这部分不上粉会使眼部看起来暗淡无光。

4、防晒底妆推荐

1、理肤泉每日隔离透润遮瑕乳液SPF30/PA+++RMB270/30ml

乳液质地可以让肌肤持久保湿，并且遮盖肌肤的细纹及色斑，而它的高强度UV防护让你可以省去防晒霜这道护肤工序，不必担心肌肤使用防晒后的厚重感觉。药妆特有的清透包装样式，简单不浮夸，值得信赖。

2、Clinique青春修颜BB霜SPF30/PA+++RMB320/40ml

专门为亚洲肌肤研制的，实时遮盖瑕疵，呈现完美健康的肌肤。涂上后，肌肤变得柔滑、水漾、年轻。此BB霜更能平衡及控制油指分泌，使妆容保持整天完美服帖。

3、Lancome明星BB霜SPF50/PA+++RMB520/30ml

欧美品牌BB霜中当之无愧的明星产品，紫外线防护长达12小时，肌肤立现瞬白效果。质感轻柔的乳霜可以有效修复色斑，细纹，粗糙等肌肤瑕疵。

4、HR炫彩光润精华粉底乳液SPF15/PA++RMB1180/30ml

一款激活光彩的精华粉底液，富含“LiquidLight”Complex原光反射微球体网络的光透致亮复合液，发挥如强效光芒激活因子的功效，秒速提升肌肤光泽，透亮肌肤瞬间绽放年轻光泽。

5、benefit完美无瑕盈氧粉底液SPF25/PA+++RMB350/30ml

无油配方能减轻肌肤负担;SPF25PA+++有效抵抗阳光侵害;9款色号完美匹配你的肤色;真空泵压的灌装设计，在隔绝外部污染的同时更可以精准控制产品使用量，减少不必要的浪费。

6、DHC紧致焕肤美容液粉底液SPF25/PA++RMB288/40g

添加日本上限浓度辅酶Q10和超级透明质酸等丰富美容液成分的粉底液。浓稠、滋润的质地，仿佛溶化般与肌肤融合，瞬间遮盖细纹、暗沉、毛孔凹凸等瑕疵。实现完美妆效的同时，塑造丰盈水润、饱满弹力的光泽美肌。有自然肤色、健康肤色、标准肤色、明亮肤色等几种颜色可供选择。

The hippie subculture was originally a youth movement that began in the United States during the mid-1960s and spread around the world The word hippie derives from hipster, and was initially used to describe people who created their own communities, listened to psychedelic rock, embraced the sexual revolution, and used drugs such as cannabis and LSD to explore alternative states of consciousness

On January 1967, the Human Be-In at Golden Gate Park in San Francisco popularized hippie culture, leading to the legendary Summer of Love on the West Coast of the United States, and the 1969 Woodstock Festival on the East Coast Hippies in Mexico, known as jipitecas, formed La Onda Chicana and gathered at Avándaro, while in New Zealand, nomadic housetruckers practiced alternative lifestyles and promoted sustainable energy at Nambassa In the United Kingdom, mobile "peace convoys" of New age travellers made summer pilgrimages to free music festivals at Stonehenge In Australia hippies gathered at Nimbin for the 1973 Aquarius Festival and the annual Cannabis Law Reform Rally or MardiGrass In Chile, "Festival Piedra Roja" was held in 1970 (following Woodstock's success), and was the major hippie event in that country

Hippie fashions and values had a major effect on culture, influencing popular music, television, film, literature, and the arts Since the 1960s, many aspects of hippie culture have been assimilated by mainstream society The religious and cultural diversity espoused by the hippies has gained widespread acceptance, and Eastern philosophy and spiritual concepts have reached a wide audience The hippie legacy can be observed in contemporary culture in myriad forms — from health food, to music festivals, to contemporary sexual mores, and even to the cyberspace revolution

During the early 1960s novelist Ken Kesey and The Merry Pranksters lived communally in California Members included Beat Generation hero Neal Cassady, Ken Babbs, Carolyn Adams (aka Mountain Girl), Wavy Gravy, Paul Krassner, Stewart Brand, Del Close, Paul Foster, George Walker, Sandy Lehmann-Haupt and others Their early escapades were documented in Tom Wolfe's book The Electric Kool-Aid Acid Test With Cassady at the wheel of a school bus named Furthur, the Merry Pranksters traveled across the United States to celebrate the publication of Kesey's novel Sometimes a Great Notion and to visit the 1964 World's Fair in New York City The Merry Pranksters were known for using marijuana, amphetamines, and LSD, and during their journey they "turned on" many people to these drugs The Merry Pranksters filmed and audiotaped their bus trips, creating an immersive multimedia experience that would later be presented to the public in the form of festivals and concerts Grateful Dead wrote a song about the Merry Pranksters' bus trips called "That's It For The Other One"[26]

During this period Cambridge, Massachusetts, Greenwich Village in New York City, and Berkeley, California, anchored the American folk music circuit Berkeley's two coffee houses, the Cabale Creamery and the Jabberwock, sponsored performances by folk music artists in a beat setting[27] In April 1963, Chandler A Laughlin III, co-founder of the Cabale Creamery,[28] established a kind of tribal, family identity among approximately fifty people who attended a traditional, all-night Native American peyote ceremony in a rural setting This ceremony combined a psychedelic experience with traditional Native American spiritual values; these people went on to sponsor a unique genre of musical expression and performance at the Red Dog Saloon in the isolated, old-time mining town of Virginia City, Nevada[29]

In the summer of 1965, Laughlin recruited much of the original talent that led to a unique amalgam of traditional folk music and the developing psychedelic rock scene[29] He and his cohorts created what became known as "The Red Dog Experience", featuring previously unknown musical acts — Big Brother and the Holding Company, Jefferson Airplane, Quicksilver Messenger Service, The Charlatans, The Grateful Dead and others — who played in the completely refurbished, intimate setting of Virginia City's Red Dog Saloon There was no clear delineation between "performers" and "audience" in "The Red Dog Experience", during which music, psychedelic experimentation, a unique sense of personal style and Bill Ham's first primitive light shows combined to create a new sense of community[30] Laughlin and George Hunter of the Charlatans were true "proto-hippies", with their long hair, boots and outrageous clothing of nineteenth-century American (and Native American) heritage[29] LSD manufacturer Owsley Stanley lived in Berkeley during 1965 and provided much of the LSD that became a seminal part of the "Red Dog Experience", the early evolution of psychedelic rock and budding hippie culture At the Red Dog Saloon, The Charlatans were the first psychedelic rock band to play live (albeit unintentionally) loaded on LSD[31]

When they returned to San Francisco, Red Dog participants Luria Castell, Ellen Harman and Alton Kelley created a collective called "The Family Dog"[29] Modeled on their Red Dog experiences, on October 16, 1965, the Family Dog hosted "A Tribute to Dr Strange" at Longshoreman's Hall[32] Attended by approximately 1,000 of the Bay Area's original "hippies", this was San Francisco's first psychedelic rock performance, costumed dance and light show, featuring Jefferson Airplane, The Great Society and The Marbles Two other events followed before year's end, one at California Hall and one at the Matrix[29] After the first three Family Dog events, a much larger psychedelic event occurred at San Francisco's Longshoreman's Hall Called "The Trips Festival", it took place on January 21–January 23, 1966, and was organized by Stewart Brand, Ken Kesey, Owsley Stanley and others Ten thousand people attended this sold-out event, with a thousand more turned away each night[33] On Saturday January 22, the Grateful Dead and Big Brother and the Holding Company came on stage, and 6,000 people arrived to imbibe punch spiked with LSD and to witness one of the first fully developed light shows of the era[34]

It is nothing new We have a private revolution going on A revolution of individuality and diversity that can only be private Upon becoming a group movement, such a revolution ends up with imitators rather than participantsIt is essentially a striving for realization of one's relationship to life and other people

—Bob Stubbs, "Unicorn Philosophy"[35]

By February 1966, the Family Dog became Family Dog Productions under organizer Chet Helms, promoting happenings at the Avalon Ballroom and the Fillmore Auditorium in initial cooperation with Bill Graham The Avalon Ballroom, the Fillmore Auditorium and other venues provided settings where participants could partake of the full psychedelic music experience Bill Ham, who had pioneered the original Red Dog light shows, perfected his art of liquid light projection, which combined light shows and film projection and became synonymous with the San Francisco ballroom experience[29][36] The sense of style and costume that began at the Red Dog Saloon flourished when San Francisco's Fox Theater went out of business and hippies bought up its costume stock, reveling in the freedom to dress up for weekly musical performances at their favorite ballrooms As San Francisco Chronicle music columnist Ralph J Gleason put it, "They danced all night long, orgiastic, spontaneous and completely free form"[29]

Some of the earliest San Francisco hippies were former students at San Francisco State College[37] who became intrigued by the developing psychedelic hippie music scene[29] These students joined the bands they loved, living communally in the large, inexpensive Victorian apartments in the Haight-Ashbury[38] Young Americans around the country began moving to San Francisco, and by June 1966, around 15,000 hippies had moved into the Haight[39] The Charlatans, Jefferson Airplane, Big Brother and the Holding Company, and the Grateful Dead all moved to San Francisco's Haight-Ashbury neighborhood during this period Activity centered around the Diggers, a guerrilla street theatre group that combined spontaneous street theatre, anarchistic action, and art happenings in their agenda to create a "free city" By late 1966, the Diggers opened free stores which simply gave away their stock, provided free food, distributed free drugs, gave away money, organized free music concerts, and performed works of political art[40]

On October 6, 1966, the state of California declared LSD a controlled substance, which made the drug illegal[41] In response to the criminalization of psychedelics, San Francisco hippies staged a gathering in the Golden Gate Park panhandle, called the Love Pageant Rally,[41] attracting an estimated 700–800 people[42] As explained by Allan Cohen, co-founder of the San Francisco Oracle, the purpose of the rally was twofold: to draw attention to the fact that LSD had just been made illegal — and to demonstrate that people who used LSD were not criminals, nor were they mentally ill The Grateful Dead played, and some sources claim that LSD was consumed at the rally According to Cohen, those who took LSD "were not guilty of using illegal substancesWe were celebrating transcendental consciousness, the beauty of the universe, the beauty of being"[43]

Summer of Love (1967)

Homemade tie-dyed t-shirts added a psychedelic flavor to hippie dress

On January 14, 1967, the outdoor Human Be-In organized by Michael Bowen[44] helped to popularise hippie culture across the United States, with 20,000 hippies gathering in San Francisco's Golden Gate Park On March 26, Lou Reed, Edie Sedgwick and 10,000 hippies came together in Manhattan for the Central Park Be-In on Easter Sunday[45] The Monterey Pop Festival from June 16 to June 18 introduced the rock music of the counterculture to a wide audience and marked the start of the "Summer of Love"[46] Scott McKenzie's rendition of John Phillips' song, "San Francisco", became a hit in the United States and Europe The lyrics, "If you're going to San Francisco, be sure to wear some flowers in your hair", inspired thousands of young people from all over the world to travel to San Francisco, sometimes wearing flowers in their hair and distributing flowers to passersby, earning them the name, "Flower Children" Bands like the Grateful Dead, Big Brother and the Holding Company (with Janis Joplin), and Jefferson Airplane continued to live in the Haight, but by the end of the summer, the incessant media coverage led the Diggers to declare the "death" of the hippie with a parade[47][48] According to the late poet Susan 'Stormi' Chambless, the hippies buried an effigy of a hippie in the Panhandle to demonstrate the end of his/her reign

Regarding this period of history, the July 7, 1967, Time magazine featured a cover story entitled, "The Hippies: The Philosophy of a Subculture" The article described the guidelines of the hippie code: "Do your own thing, wherever you have to do it and whenever you want Drop out Leave society as you have known it Leave it utterly Blow the mind of every straight person you can reach Turn them on, if not to drugs, then to beauty, love, honesty, fun"[49] It is estimated that around 100,000 people traveled to San Francisco in the summer of 1967 The media was right behind them, casting a spotlight on the Haight-Ashbury district and popularizing the "hippie" label With this increased attention, hippies found support for their ideals of love and peace but were also criticized for their anti-work, pro-drug, and permissive ethos

By the end of the summer, the Haight-Ashbury scene had deteriorated The neighborhood could not accommodate the influx of crowds (mostly naive youngsters) with no place to live Many took to living on the street, panhandling and drug-dealing There were problems with malnourishment, disease, and drug addiction Crime and violence skyrocketed By the end of 1967, many of the hippies and musicians who initiated the Summer of Love had moved on Misgivings about the hippie culture, particularly with regard to drug abuse and lenient morality, fueled the moral panics of the late 1960s[50]

Revolution (1967–1970)

Hippies relaxing at the 1969 Woodstock Festival

In April 1969, the building of People's Park in Berkeley, California received international attention The University of California, Berkeley had demolished all the buildings on a 28-acre (11,000 m2) parcel near campus, intending to use the land to build playing fields and a parking lot After a long delay, during which the site became a dangerous eyesore, thousands of ordinary Berkeley citizens, merchants, students, and hippies took matters into their own hands, planting trees, shrubs, flowers and grass to convert the land into a park A major confrontation ensued on May 15, 1969, when Governor Ronald Reagan ordered the park destroyed, which led to a two-week occupation of the city of Berkeley by the United States National Guard[51] Flower power came into its own during this occupation as hippies engaged in acts of civil disobedience to plant flowers in empty lots all over Berkeley under the slogan "Let A Thousand Parks Bloom"

In August 1969, the Woodstock Music and Art Fair took place in Bethel, New York, which for many, exemplified the best of hippie counterculture Over 500,000 people arrived[52] to hear the most notable musicians and bands of the era, among them Richie Havens, Joan Baez, Janis Joplin, The Grateful Dead, Creedence Clearwater Revival, Crosby, Stills, Nash & Young, Carlos Santana, The Who, Jefferson Airplane, and Jimi Hendrix Wavy Gravy's Hog Farm provided security and attended to practical needs, and the hippie ideals of love and human fellowship seemed to have gained real-world expression

In December 1969, a similar event took place in Altamont, California, about 30 miles (45 km) east of San Francisco Initially billed as "Woodstock West", its official name was The Altamont Free Concert About 300,000 people gathered to hear The Rolling Stones; Crosby, Stills, Nash and Young; Jefferson Airplane and other bands The Hells Angels provided security that proved far less benevolent than the security provided at the Woodstock event: 18-year-old Meredith Hunter was stabbed and killed during The Rolling Stones' performance[53]

Aftershocks (1970-present)

At the Rainbow World Gathering 2004 in Costa Rica

By the 1970s, the 1960s zeitgeist that had spawned hippie culture seemed to be on the wane[54][55] The events at Altamont shocked many Americans, including those who had strongly identified with hippie culture Another shock came in the form of the Sharon Tate and Leno and Rosemary LaBianca murders committed in August 1969 by Charles Manson and his "family" of followers Nevertheless, the turbulent political atmosphere that featured the bombing of Cambodia and shootings by National Guardsmen at Jackson State University and Kent State University still brought people together These shootings inspired the May 1970 song by Quicksilver Messenger Service "What About Me", where they sang, "You keep adding to my numbers as you shoot my people down", as well as Neil Young's "Ohio", recorded by Crosby, Stills, Nash and Young

Much of hippie style had been integrated into mainstream American society by the early 1970s[56][57][58] Large rock concerts that originated with the 1967 Monterey Pop Festival and the 1968 Isle of Wight Festival became the norm In the mid-1970s, with the end of the draft and the Vietnam War, a renewal of patriotic sentiment associated with the approach of the United States Bicentennial and the emergence of punk in London and New York, the mainstream media lost interest in the hippie counterculture Acid rock gave way to heavy metal, disco, and punk rock

Starting in the late 1960s, hippies began to come under attack by working class skinheads [59][60][61] Hippies were also vilified and sometimes attacked by punks, revivalist mods, greasers, football casuals, Teddy boys and members of other youth subcultures of the 1970s and 1980s Hippie ideals had a marked influence on anarcho-punk and some post-punk youth subcultures, especially during the second summer of love

While many hippies made a long-term commitment to the lifestyle, some younger people argue that hippies "sold out" during the 1980s and became part of the materialist, consumer culture[62][63] Although not as visible as it once was, hippie culture has never died out completely: hippies and neo-hippies can still be found on college campuses, on communes, and at gatherings and festivals Many embrace the hippie values of peace, love, and community, and hippies may still be found in bohemian enclaves around the world[13]

Ethos and characteristics

Hippies sought to free themselves from societal restrictions, choose their own way, and find new meaning in life One expression of hippie independence from societal norms was found in their standard of dress and grooming, which made hippies instantly recognizable to one another, and served as a visual symbol of their respect for individual rights Through their appearance, hippies declared their willingness to question authority, and distanced themselves from the "straight" and "square" (ie, conformist) segments of society[64]

At the same time, many thoughtful hippies distanced themselves from the very idea that the way a person dresses could be a reliable signal of who he was, especially after outright criminals, like Charles Manson, began to adopt hippie personas, and also after plainclothes policemen started to "dress like hippies" in order to harass legitimate members of the counter-culture Frank Zappa admonished his audience that "we all wear a uniform": the San Francisco clown/hippie Wavy Gravy said in 1987 that he could still see fellow-feeling in the eyes of Market Street businessman who'd dressed conventionally to survive

A 1967 VW Kombi bus decorated with hand-painting

As in the beat movement preceding them, and the punk movement that followed soon after, hippie symbols and iconography were purposely borrowed from either "low" or "primitive" cultures, with hippie fashion reflecting a disorderly, often vagrant style[65] As with other adolescent, white middle-class movements, deviant behavior of the hippies involved challenging the prevailing gender differences of their time: both men and women in the hippie movement wore jeans and maintained long hair,[66] and both genders wore sandals or went barefoot[39] Men often wore beards,[67] while women wore little or no makeup, with many going braless[39] Hippies often chose brightly colored clothing and wore unusual styles, such as bell-bottom pants, vests, tie-dyed garments, dashikis, peasant blouses, and long, full skirts; non-Western inspired clothing with Native American, Asia, Indian, African and Latin American motifs were also popular Much of hippie clothing was self-made in defiance of corporate culture, and hippies often purchased their clothes from flea markets and second-hand shops[68] Favored accessories for both men and women included Native American jewelry, head scarves, headbands and long beaded necklaces[39] Hippie homes, vehicles and other possessions were often decorated with psychedelic art

turns the liquid

变成液体

例句

1It turns the body to liquid steel It makes it vibrate like a guitar

它让身体变成钢液，让身体像吉他一样的震动。

2When something "sublimes" it turns directly into a gas from a solid bypassing the liquid state

当某些东西升华时，会直接从固体变成气体-绕过了液体状态。